tag:blogger.com,1999:blog-72820635141688716922024-03-13T09:21:28.755-07:00A Dialogue a DayA Slog through the Platonic Dialogues.Rodneyhttp://www.blogger.com/profile/05652885903288133830noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-7282063514168871692.post-57999483368787564032013-08-13T19:12:00.001-07:002013-08-13T19:13:31.078-07:00Dialogue #2 - Apology<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Note – My own apology:
This article took far longer to write than anticipated, between multiple trips
to UCSF, the need to get summer chores done before the fall semester begins,
and - mostly - the mountain of contextual research and cross-referencing needed to make this article at least
modestly relevant. A lot more could be said, but I am ready to move on to the
next topic, so this will have to do for now.</i></div>
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<br /></div>
<div class="MsoNormal">
<u>Setting</u></div>
<div class="MsoNormal">
In the <i style="mso-bidi-font-style: normal;">Heliaea</i> –
the law court of Athens
– within the agora, before an Athenian jury of 500 or 501 men. Socrates is on
trial for, “corrupting the young and of not believing in the gods in whom the
city believes, but in other new spiritual things” (24b).</div>
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<br /></div>
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See the Commentary for a greater discussion of the
contemporary Athenian legal system as it relates to Socrates’s trial.</div>
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<br /></div>
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<u>Interlocutors</u></div>
<div class="MsoNormal" style="margin-left: .25in; mso-list: l0 level1 lfo1; tab-stops: list .25in; text-indent: -.25in;">
<ul>
<li>Meletus, although he barely qualifies, giving but
a few short answers when questioned by Socrates. He is one of the three
responsible for Socrates being tried. Socrates claims that Meletus is, “vexed
on behalf of the poets” (23e). For more on Meletus, see the commentary on <i style="mso-bidi-font-style: normal;">Euthyphro</i>.</li>
</ul>
</div>
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</div>
<div class="MsoNormal">
<u>Mentioned</u></div>
<ul>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Adeimantus, son of Ariston and Plato’s brother,
is present at the trial (34a).</li>
<li><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";"></span></span></span>Aeantodoros, brother of Apollodorus and
supporter of Socrates, is present at the trial (34a).</li>
<li>Aeschines, supporter of Socrates present at the
trial (33e).</li>
<li>Antiphon the Cephisian, father of Epigenes and
supporter of Socrates, present at the trial (33e).</li>
<li>Anaxagoras is mentioned during Socrates
refutation of the charge of impiety, accusing Meletus of confusing the former
with the later. Anaxagoras believed the sun to be made of metal, and the moon
(and the planets) to be a fragment of the earth, as opposed to the popular
belief that they were in fact gods (26d-e).</li>
<li>Anytus, one of the three accusers of Socrates.
He had served as a general during the Peloponnesian War, and contributed to the
ousting of the Thirty in 430 BCE and the restoration of democracy. He does not
speak in <i style="mso-bidi-font-style: normal;">Apology</i>, but has a part to
play in <i style="mso-bidi-font-style: normal;">Meno</i>, one which appears to
point to why he is one of Socrates’s accusers. Socrates claims that Anytus is
“vexed on behalf of the craftsmen and the politicians” (23e).</li>
<li>Apollodorus is present, and is one of those who
offers to financially assist Socrates in paying a penalty of 30 minas (38b).</li>
<li>Aristophanes is mentioned as a “writer of
comedies,” and one of the Socrates’s older accusers, as opposed to the three
that have brought him to trial (18c-e).</li>
<li>Callias, son of Hipponicus, who, “has spent more
money on Sophists than everybody else put together” (20a).</li>
<li>Chaerephon, the man responsible for asking the
Delphic oracle whether any man was wiser than his friend, Socrates (21a).</li>
<li>Crito, father of Critobulus and friend of
Socrates, and interlocutor of the eponymous dialogue, <i style="mso-bidi-font-style: normal;">Crito</i>. He is noted as being present at the trial (33e). He is one of
those who offers to financially assist Socrates in paying a penalty of 30 minas
(38b).</li>
<li>Critobulus, friend and present at the trial
(33e). He is one of those who offers to financially assist Socrates in paying a
penalty of 30 minas (38b).</li>
<li>Evenus, who, according to Callias is an, “expert
in this kind of excellence, the human and social kind” (20b).</li>
<li>Gorgias, Prodicus, and Hippias, three sophists,
who, “go to any city and persuade the young… to join with themselves, pay them
a fee, and be grateful to them besides” (19e-20a).</li>
<li>Leon
of Salamis.
Socrates was one of five men ordered by the Thirty to retrieve him for
execution. Socrates refused, “not in words but in action,” going home instead
of with the other four to retrieve Leon (32d).</li>
<li>Lycon, the third accuser of Socrates. Father of
Autolycus, he is, “vexed on behalf of the orators” (23e). </li>
<li>Lysanias of Sphettus, father of Aeschines,
present at the trial (33e).</li>
<li>Nicostratus, son of Theozotides, supporter of
Socrates and present at the trial (33e).</li>
<li>Paralius, son of Demodocus and brother of the
deceased Theages is present at the trial (34a).</li>
<li>Plato, the man himself, is mentioned as being
present at the trial (34a). He is one of those who offers to financially assist
Socrates in paying a penalty of 30 minas (38b).</li>
<li>Theodotus, who, “has died so he could not
influence,” his brother Nicostratus (33e-34a).</li>
<li>The gods Hera and Zeus are mentioned by Socrates
during his questioning of Meletus.</li>
<li>Achilles, Hector, and Patroclus are mentioned in
Socrates’s speech on good men and the fear of death.</li>
<li>The ten generals who, “failed to pick up the
survivors of the naval battle” of Arginusae in 406 BCE (32b). Socrates’s was
sitting on the council at the time, and solely voted against their prosecution,
an act which was looked upon unfavorably by his peers in the council.</li>
<li>Minos, Rhadamenthus, Aeacus, and Triptolemus are
mentioned as the “true jurymen” who sit in judgment in Hades (41a).</li>
<li>Orpheus, Musaeus, Hesiod, Homer, Agamemnon,
Odysseus, and Sisyphus are mentioned as residents in Hades worth meeting (41a
and 41b-c). Palmaedes and Telamonian Ajax are also mentioned as residents, and
that they, “died through an unjust conviction,” making them appropriate
conversational partners for Socrates. </li>
</ul>
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</div>
<div class="MsoNormal">
<u>Summary</u></div>
<div class="MsoNormal">
The single greatest difference between <i style="mso-bidi-font-style: normal;">Apology</i> and the rest of the dialogues is that the former does not
take the shape of the latter. It is virtually a monologue; the only other
speaker is Meletus, and he speaks only briefly when questioned directly by
Socrates. Throughout, Socrates speaks, the jury only present through his
comments directed directly at them, typically to keep them from making a
disturbance when he is about to say something likely upsetting (i.e. 21a).</div>
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<br /></div>
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The unique nature of <i style="mso-bidi-font-style: normal;">Apology</i>
has led many scholars to conclude that: 1) it is Plato’s earliest surviving
dialogue; 2) is records with as much accuracy as is possible, considering the
circumstances surrounding its authoring, the historical trial of Socrates.
There is no way to prove that either of these is the case, and there are some obvious
flaws in this line of thought, although it remains the majority opinion
regardless.<sup>1</sup> For another theory on how <i style="mso-bidi-font-style: normal;">Apology</i> fits into the Platonic corpus – one with its own strengths
and weaknesses – see <a href="http://plato-dialogues.org/email/950826_1.htm" target="_blank">this discussion</a> by Bernard Suzanne. I shall not take sides
on the issue, as it is irrelevant to the present discussion. Another
interesting feature of this dialogue is that Plato ties himself directly to the
event by admitting he was present, albeit in an unassuming manner, almost in
passing (34a and 38b).</div>
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<br /></div>
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</div>
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<i style="mso-bidi-font-style: normal;">Apology</i> is serious
business, but not without some humor. Socrates opens with what I interpret to
be sarcasm, to wit: “I do not know, men of Athens, how my accuser affected you; as for
me, I was almost carried away in spite of myself, so persuasively did they
speak” (17a). This before he begins the process of tearing apart the weak and
inconsistent accusations of Meletus and his associates. And there is his
discussion of what would be an appropriate “penalty” for his conviction,
Socrates concluding that the just assessment of that he deserves is to be fed
at the expense of the state in the Prytaneum alongside the Olympic victors
(36d-e). Perhaps it is just the translation I am using, but this bit always
strikes me as funny – in a sarcastic sort of way – although the jury apparently
did not agree, the humor being at their expense.</div>
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<br /></div>
<div class="MsoNormal">
At this point in the process, the accusers have all had the
opportunity to give their accusations, the reasons why they have had Socrates
brought to trial, and why he should be convicted and put to death. After the
sarcastic opening line, Socrates begins his defense by divorcing himself from
the orators and rhetoricians, a profession to which one of his accusers – Lycon
– belongs (23e). Socrates pre-apologizes for his poor method of speaking – an
example of Socratic irony as he will not speak poorly at all – noting that he
will only speak the truth, not after the manner of the orators – meaning the
accusers – because, “practically nothing they said is true” (17b-c). We also
learn that this is Socrates’s first appearance in a law court, although later
he will admit that he came close to appearing before one during the last days
of the Tyranny (17d and 32d-3).</div>
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<br /></div>
<div class="MsoNormal">
As in many of the dialogues, Socrates lays the ground rules
down early: he will first address accusations made against him by his “first
accusers,” before addressing those made by Meletus, Lycon and Anytus (18a-b).
These early accusers – Socrates notes there are many, but mentions no names
other than that of Aristophanes – present a greater threat, as they have been
influencing the men of the jury for many years, most since childhood (18b-c). These
accusations are like a case already one, Socrates never having had the
opportunity to provide a defense against them.</div>
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<br /></div>
<div class="MsoNormal">
In addressing these first accusers, Socrates divorces
himself from the caricature provided in Aristophanes’s <i style="mso-bidi-font-style: normal;">Clouds</i>. He denies that image outright, and relies on the jury –
many of whom have heard him speaking publicly – to know better than to
believe the comedian (19b-d). He then goes on to separate himself from the
Sophists as teachers for money; although it appears that many in Athens have
made that association, Socrates claims that he does not have the sort of wisdom
the Sophists claim to have (20c). This leads to relating the story of
Chaerephon’s visit to Delphi to ask the oracle
whether there is anyone wiser than Socrates, the short answer being “no”
(20e-21a). He knows this story will have an upsetting effect on the jurors,
asking them to not create a disturbance before relating the oracle.</div>
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<br /></div>
<div class="MsoNormal">
This oracle is what led Socrates to pursue his method of
systematic questioning of those who claimed to have real knowledge, starting
with those who saw themselves as being wise. Socrates’s intent was to prove the
oracle wrong (21b-c). But, as he goes from individual to individual, he finds
that he is wiser, simply because he realizes that he does not know anything of
value, while the others believe they do (21d). Socrates associates his quest
for a wiser man to be like the labors of Herakles (22a). It is through this
line of questioning, Socrates admits, that he, “acquired much unpopularity, of
a kind that is hard to deal with and is a heavy burden,” resulting in slanders
against him, and an undeserved reputation for having wisdom (22e-23a). </div>
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<br /></div>
<div class="MsoNormal">
This part of his defense accomplishes two things: first, it
addresses the old accusations that Socrates sees himself as being wiser than
the rest; second, it begins to address the new accusations of impiety, as he –
in seeking someone wiser than himself – is ultimately only pursuing the will of
Apollo. Such is his piety that he lives, “in great poverty because of [his]
service to the god” (23b).</div>
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<br /></div>
<div class="MsoNormal">
After a brief discussion of how Socrates’s pupils have
contributed to his undeserved image as an annoying gadfly who sees himself as
being intellectually superior to those around him, he officially begins his
defense against the charges of Meletus, Anytus, and Lycon, although, as we have
seen, he has already been addressing them indirectly. This is the only part of <i style="mso-bidi-font-style: normal;">Apology</i> that is a dialogue, and then
only just barely, as Socrates questions Meletus directly. In the process of
tearing down the accusations of the accusers, Socrates asks Meletus whether he
considers it important that the young men of Athens be as “good as possible”
(24d); what he thinks is responsible for this improvement – to which Meletus
answers “the laws,” followed by, “the jurymen…. All of them,” then adding the
audience, the members of the council, indeed every Athenian but Socrates
(24d-25a); After further coaxing, Socrates accuses Meletus of thinking himself
wiser at his young age, and that Meletus’s accusation that Socrates
deliberately misleads the young falls apart in that it would have led to the
old philosopher being harmed by one of his students (25b-26a). Therefore, since
it is not possible that Socrates was deliberately misleading anyone, Meletus is
in fact guilty of not providing Socrates with appropriate corrective instruction,
what he should have done instead of bringing Socrates to court (26a).</div>
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<br /></div>
<div class="MsoNormal">
Socrates then turns to the charge of impiety, since it is
intimately linked with the charge of misleading the Athenian youth. His first
question is the nature of the impiety of which he is being accused, to which
Meletus responds that he is an atheist – he does, “not believe in gods at all” (26c).
After reaffirming his accusation of atheism, Socrates accuses Meletus of accusing
him of having the same beliefs as Anaxagoras (see the list of those mentioned
in this dialogue, above). At this point, it appears that Meletus begins to
hesitate in the face of Socrates’s – at times hostile – questioning, and the
jury must force him to answer the next questions (27c). It is not long after
that Socrates’s defense is concluded: “I do not think, men of Athens, that it requires a prolonged defense
to prove that I am not guilty of the charges in Meletus’s deposition, but this
is sufficient” (28a). Of course, that is his opinion only, and it is here that
he admits to the real problem he is facing – and one that appears to provide a
glimmer of the what is likely the ultimate truth behind Socrates’s death: “I am
very unpopular with many people. This will be my undoing, if I am undone, not
Meletus or Anytus but the slanders and envy of many people. This has destroyed
many other good men and will, I think, continue to do so” (28a-b).</div>
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<br /></div>
<div class="MsoNormal">
This nearly-fatalistic attitude towards the outcome of the
trial allows Socrates to segue into his views on duty and death. He cites the Iliad,
comparing his own actions to those of Achilles and the latter’s pursuit of
Hector. The son of Thetis did not fear death, “and was much more afraid to live
a coward who did not avenge his friends” (28b-d). Socrates then reminds the
jury of his own service to the city, having performed dutifully at the battles
of, “Potidae, Amphipolis, and Delium” (28e). He compares this physical service
to his taking on the mantle of a philosopher in the service of Apollo. He knows
that “it is wicked and shameful to do wrong, to disobey one’s superior, be he
god or man” (29b). But, since he has a divinely inspired duty to question the
Athenians and work to make them better, he places his duty to Apollo over that
due any of his mortal superiors, and so he sentencing him to give up the
practice of philosophy is the one punishment he will not accept (29d-30b).</div>
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<br /></div>
<div class="MsoNormal">
After describing how it is he improves the citizens of
Athens, he turns the tables around on the jury; he is not providing a defense
for himself, but for them: “Indeed, men of Athens, I am far from making a
defense now on my own behalf, as might be thought, but on yours, to prevent you
from wrongdoing by mistreating the god’s gift to you by condemning me; for if
you kill me you will not easily find another like me” (30d-e). Socrates is irreplaceable
– to Socrates at least – although he admits that his behavior can be annoying; he
compares Athens
to a “great and noble horse which was somewhat sluggish,” and himself to a
gadfly, sent by Apollo to “rouse each and every one of you, to persuade and
reproach you all day long and everywhere” (30e-31a).</div>
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<br /></div>
<div class="MsoNormal">
After describing his divine sign, an inner voice that
advises him only on what not to do, as that which has kept him from engaging in
the affairs of the city (31c), he cites two events intended to show his true
character. First, he mentions the trial of the generals after the naval Battle
of Arginusae in 406 BCE, and how he refused to vote to see the trial move ahead
as it was contrary to Athenian law, a stand that stirred the anger of the crowd
(32b-c; see also Xenophon’s <i style="mso-bidi-font-style: normal;">Hellenica</i>
I.vii.15)<sup>2</sup>. He also reminds the jury of his behavior during the
Tyranny in regards to the judicial murder of Leon of Salamis, and how, had the
Thirty not fallen shortly thereafter, Socrates, “might have been put to death”
(32c-d; see also <i style="mso-bidi-font-style: normal;">Hellenica</i>
II.iii.39).</div>
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<br /></div>
<div class="MsoNormal">
Rather interestingly, Socrates makes a statement intended to
divorce himself from some of those with which he has been associated by the
Athenian public,</div>
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<br /></div>
<div class="MsoNormal" style="margin-left: .25in;">
“I have never been anyone’s
teacher. If anyone, young or old, desires to listen to me when I am talking and
dealing with my own concerns, I have never begrudged this to anyone, but I do
not converse when I receive a fee and not when I do not. I am equally ready to
question the rich and the poor if anyone is willing to answer my questions and
listen to what I say. And I cannot justly be held responsible for the good or
bad conduct of these people, as I never promised to teach them anything and
have not done so. If anyone says that he has learned anything from me, or that
he heard anything privately that the others did not hear, be assured that he is
not telling the truth” (33a-b).</div>
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<br /></div>
<div class="MsoNormal">
Although no names are mentioned, it clearly points to the
sophists – the Pharisees of the Platonic corpus – and to unpopular individuals
such as Alcibiades, men who had been followers or associates of Socrates and
who had played roles in Athens’s
recent downfall. In essence, since he does not charge a fee, he is not a
sophist, and since he is not a sophist, he does not teach anyone anything, and
therefore cannot rightly be associated with any of Athens’s more nefarious personalities.
Somewhat self-contradictorily, at 35c Socrates points out that it is right to,
“teach and persuade,” the jury, in lieu of trying to supplicate it.</div>
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<br /></div>
<div class="MsoNormal">
Returning to the charge of corrupting the youth of Athens, Socrates points
out that – had he indeed done harm to nay Athenian youth by corrupting them –
then they or their relatives would certainly want to say something in support
of his accusers. He points out a dozen men in the crowd, all of whom have
enjoyed, “hearing those being questioned [by Socrates] who think they are wise,
but are not” (33c). If Socrates had harmed any of them, he points out, they
would make excellent witnesses for Meletus, yet he did not, a fact that points
out further flaws in the accusers’s argument (33d-34b).</div>
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<br /></div>
<div class="MsoNormal">
Socrates concludes his <i style="mso-bidi-font-style: normal;">apologia</i>
by pointing out who he won’t resort to cheap pathos in trying to secure his
acquittal. In a way, it is similar to (but not exactly like by any means) how
the Apostle Paul points out how he does not have to remind the recipients of
his letters what he has done for them, the point being to remind them
specifically of those things. In 34b-35b, Socrates disparages those who resort
to beg the jury for clemency due to the needs of their families, yet he points
out that he is the father of three sons, “one adolescent while two are
children.” True, he does not resort to begging or pleading, but his children
are brought into the picture regardless. After an admonition to the jury to not
perjure themselves, and a reminder of his piety, Socrates awaits the verdict of
the jury. Unfortunately, for him, he has not convinced enough of the jurymen of
his innocence – whether of the charges brought by his accusers or of his
association with men such as Alcibiades – and so is found guilty.</div>
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<br /></div>
<div class="MsoNormal">
From the verdict, <i style="mso-bidi-font-style: normal;">Apology</i>
concludes in a whirlwind fashion when compared with the defense portion. After
pointing out that the verdict was essentially the result of a popularity
contest – as they apparently tended to be in Athenian jurisprudence – he
comments on the death sentence proposed by Meletus. Already mentioned, my
favorite part of <i style="mso-bidi-font-style: normal;">Apology</i> is here,
when Socrates offers the counter-proposal of free meals in the Pyrtaneum as his
punishment. His argument is that the service he provides to Athens makes him more worthy than someone
victorious at the Olympic games (36c-37a). Acknowledging that this sounds
arrogant (and it does), a statement that he does nothing to counter other than
to say that he is not, he segues into the problem with the Athenian judicial
system, at least in capital cases (37a-b). Socrates’s believes that, had he
been given more days to speak, instead of the one afternoon allowed, they would
be convinced of his innocence; but, since he is defending himself from not only
the accusations of Meletus, Lycon and Anytus, but from “old accusers” such as
Aristophanes as well, the time allotted was not sufficient to see justice done.
After discussing the possibility of imprisonment or exile, he proposes a fine
of one mina, all he can personally afford (38b). At this point, Plato, Crito,
Critobulus, and Apollodorus offer to help Socrates with a fine, and the amount
is raised to 30 mina. Regardless, the jury deliberates, and they vote for
Meletus’s recommended punishment: death.</div>
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<br /></div>
<div class="MsoNormal">
With nothing to lose, Socrates takes the opportunity to
address those who voted him guilty, pointing out that old age would have done
the job for them if they had just been patient (38c-d). He claims that he was
convicted because he refused to play the game as they, the jury, desired, by
not saying what they wanted to hear (36d-e). He sums up his situation and
decision to not supplicate the jury by saying,</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-left: .25in;">
“it is not difficult to avoid
death, gentlemen; it is much more difficult to avoid wickedness, for it runs
faster than death. Slow and elderly as I am, I have been caught by the slower
pursuer, whereas my accusers, being clever and sharp, have been caught by the
quicker, wickedness. I leave you now, condemned to death by you, but they are
condemned by truth to wickedness and injustice. So I maintain my assessment,
and they maintain theirs. This perhaps had to happen, and I think it is as it
should be” (39a-b).</div>
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<br /></div>
<div class="MsoNormal">
He then makes a rather striking statement: claiming to be prophesying,
he notes that those who convicted him will suffer, “a vengeance much harder to
bear than that which you took in killing me,” one which will come upon them
immediately (39c). He predicts others will follow in his footsteps, younger men
he has held back, who will be, “more difficult to deal with” (39c-d). Whether
this is Plato remembering something Socrates actually said at the trial, or
Plato’s own thinly veiled threat – one in which he is referring to himself – is
anyone’s guess; I personally believe the latter to be the most likely.</div>
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<br /></div>
<div class="MsoNormal">
Socrates notes that his daimon has been silent throughout;
nothing Socrates has done has been opposed by his inner divine spirit. From
this he concludes that he has proceeded in the correct manner in his defense,
as, “it is impossible that my familiar sign did not oppose me if I was not
about to do what was right” (40b). From here, he segues into the nature of
death. For Socrates, it is either one of two states: first, it can be like a
“dreamless sleep.” There is nothing detestable about this for Socrates, as he
feels that there are few nights, “better and more pleasant,” than those; if
death is like that, then all eternity would seem to be no more single night
(40c-e). The second possibility is that death is, “a change from here to
another place,” that is, to continue in an afterlife in Hades. For Socrates,
there could be no better fate than to spend eternity discoursing with those who
are gone before. Not only would he be able to converse with the morally upright
– those who have been assigned to sit in judgment – but also those held in high
esteem by the Greeks for their wisdom and/or piety, as well as those condemned
to an eternity of suffering for their actions while alive. He would also
question those who – like Socrates himself – were unjustly convicted by their
peers. Such opportunities would provide him with, “extraordinary happiness”
(41a-c).</div>
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<br /></div>
<div class="MsoNormal">
Socrates winds up his defense declaring, “it was better for
me to die now and to escape from trouble” (41d). Yet, he leaves the jury with a
parting shot designed to make them reflect on their actions that day: “Now the
hour to part has come. I go to die, you go to live. Which of us goes to the
better lot is known to no one, except the god” (42a).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Commentary</u></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Apology</i> starts <i style="mso-bidi-font-style: normal;">in media res</i>, which is a shame as it
would be helpful to know more about the accusations leveled against Socrates by
the triad of accusers: Meletus, Lycon, and Anytus. In spite of being as much a
popularity contest as a system of jurisprudence, the Athenian legal system did
have procedures that were to be followed; history has shown that they were at
times disregarded in the heat of the moment – the trial of the generals
mentioned in <i style="mso-bidi-font-style: normal;">Apology</i> being one
example (see 32b ff).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The trial itself is the penultimate step in a multi-part
judicial process, the final step being administration of punishment. Socrates
had two prior occasions on which to defend himself against the accusers’s
charges: the first would be when he had been summoned before the King Archon
when the charges were initially presented, and the King Archon – who was
oversaw trials involving religious crimes – would determine whether or not
there were grounds for the trial.<sup>3</sup> Obviously, this decision was made
in favor of Meletus and his compatriots, so the process would then move on to
the second phase, an actual hearing before the King Archon, who would question
both Meletus and Socrates, again to determine whether there was merit in going
forward with a trial. The third phase – the one allegedly reported in <i style="mso-bidi-font-style: normal;">Apology</i> – was the actual public trial.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
As noted above, the trial takes up after the prosecution has
had its say. Socrates takes center stage, the “dialogue” being a virtual
monologue in reality, and his defense often being more a critique of certain
segments – and at times, individuals – in contemporary Athens. At least part of his defense centers
on him not stooping to the depths that the typical Athenian might in a similar
situation, of not being guilty of the same sorts of selfish behavior. And the
past incidents he cites in his defense – the trial of the generals, and the
incident involving Leon of Salamis – while arguably notable displays of
idealism, turned out to all be fruitless gestures. Even his attempts to
distance himself from the sophists run afoul on contradictions in his speech.
Likewise his attempts to divorce himself from his more troublesome associates.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
My personal interpretation is that the Socrates of the <i style="mso-bidi-font-style: normal;">Apology</i> comes off as a bit smug and
self-righteous. The defense presented by Plato does not seem focused or well
organized; if there is a theme, it is something akin to: “at least I am better
than the lot of you.” There seems to be a thread of anger and/or frustration
running throughout, one that – I would hazard to guess – comes from Plato and
not his older friend; the prophecy of imminent vengeance on those who declared
Socrates guilty near the end of the dialogue points directly at Plato.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The historicity of this dialogue has been, and will continue
to be, argued. By his own admission, Plato was an eyewitness to the trial, but
unless one is willing to claim that he had photographic recall, then Plato must
have embellished his account at least a little by putting words into Socrates’s
mouth; this was certainly standard operating procedure for historical works of
the period.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Apology</i> is not my favorite
dialogue. It does not portray Socrates at his best, and there is a bitterness
that comes through in many places. That bitterness – whatever its source – may
be justified, as may be the difference in Socrates’s attitude; after all, he is
on trial for his life. That said, I shall next turn to Xenophon’s account of
the trial of Socrates. Xenophon was not an eyewitness of the trial, being off on
his Persian adventure, instead allegedly relying on the remembrances of Hermogenes,
another of Socrates’s pupils. Xenophon’s Socrates is quite different from
Plato’s; he is certainly easier to comprehend, and, to me, more likable for his
earthiness. That does not make him any more historically accurate, however. Regardless, a comparison of the two Socrates shall be worth the time spent; the reader can determine whether one is a truer representation than the other.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Cheers!</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
- Rodney</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;">1
Concluding that <i style="mso-bidi-font-style: normal;">Apology</i> is Plato’s
first – or at least very early – writing is largely based on Xenophon’s comment
in his own telling of the story, that, “it is true that others have written
about this [Socrates’s trial], and that all of them have reproduced the
loftiness of his words” (1). However, although it may be reasonable to assume
that Plato is one of these other authors, Xenophon mentions no names.</span></div>
<div class="MsoNormal">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;">2
The generals were ultimately tried and executed in spite of Socrates’s legal objections;
such was the fickle and volatile nature of Athenian political life.</span></div>
<div class="MsoNormal">
<span style="font-size: xx-small; mso-bidi-font-size: 12.0pt;">3 This
is the setting for <i style="mso-bidi-font-style: normal;">Euthyphro</i>, which
takes place outside the King Archon’s court at the Royal Stoa just before
Socrates enters to answers the charges of Meletus, Lycon, and Anytus. For a
description of the various Athenian archonships, see chapter 3 of David
Stockton’s <i style="mso-bidi-font-style: normal;">The Classical Athenian
Democracy</i>. For a very accessible and concise description of the Athenian
legal system as it pertains to the trial of Socrates, see <a href="http://law2.umkc.edu/faculty/projects/ftrials/socrates/greekcrimpro.html." target="_blank">this site.</a></span></div>
Rodneyhttp://www.blogger.com/profile/05652885903288133830noreply@blogger.com0tag:blogger.com,1999:blog-7282063514168871692.post-39162375261084043552013-06-04T10:37:00.000-07:002013-06-04T10:37:52.262-07:00Dialogue #1: Euthyphro - What is Piety?<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Note to the Reader:
This being the first dialogue discussed, I am using it as a testing ground for formatting
as well. The pattern will be to lay out the setting and those involved in the
dialogue – Socrates’s presence assumed unless otherwise noted – those mentioned
in the dialogue, and perhaps some historical context when necessary. I will
also make my work much easier by citing the dialogue under discussion within
the text itself; footnotes will be used when other sources are cited.</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Setting</u></div>
<div class="MsoNormal">
Near the king-archon’s court, located in a corner of the
Athenian agora, sometime in 399 BCE.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Interlocutors</u></div>
<div class="MsoNormal" style="margin-left: .25in; mso-list: l0 level1 lfo1; tab-stops: list .25in; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Euthyphro, who has come to prosecute his father
for the murder – via neglect – of a “dependent” – a servant – of Euthyphro’s
(4c-d). He is quite full of himself; when Socrates asks him whether he thinks
his knowledge of divine matters – of piety and impiety – is so accurate that he
can proceed with what others would see as an impious action without fear of
acting wrongly, Euthyphro responds, “I should be of no use, Socrates, and
Euthyphro would not be superior to the majority of men, if I did not have
accurate knowledge of all such things” (4e-5a).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Mentioned</u></div>
<div class="MsoNormal" style="margin-left: .25in; mso-list: l0 level1 lfo1; tab-stops: list .25in; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Meletus, of the Pitthean deme. He is described
by Socrates’s as, “young and unknown,” with, “long hair, not much of a beard,
and a rather aquiline nose” (2b). He has brought a charge against Socrates, of
corrupting the young men of Athens
(2c), and of creating “new gods while not believing in the old gods” (3b).</div>
<div class="MsoNormal" style="margin-left: .25in; mso-list: l0 level1 lfo1; tab-stops: list .25in; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Zeus and his father, Chronos, are mentioned early
by Euthyphro, who compares his present situation to that of Zeus who had to
treat with his offspring-devouring father.</div>
<div class="MsoNormal" style="margin-left: .25in; mso-list: l0 level1 lfo1; tab-stops: list .25in; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Daedalus, the legendary craftsman and artisan,
inventor of the labyrinth at Minos and the wings of Icarus. Socrates
(ironically) compares Euthyphro to this figure late in the dialogue, saying he
is, “more skillful than Daedalus,” in making his own arguments go around in a
circle (15b).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u>Commentary</u></div>
<div class="MsoNormal">
The first of the tetralogy describing Socrates’s trial,
imprisonment, and execution, <i style="mso-bidi-font-style: normal;">Euthyphro</i>
serves as a prologue in that it relates the initial steps in the process.
Meletus has charged Socrates with corrupting Athenian youth and impiety. It is
this occasion, combined with Euthyphro’s reasons for being at the king-archon’s
court that day, that lead to the central question of the dialogue: what is
piety?</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
This dialogue establishes (in the context of this blog) some
of the Socratic means and methods. First, and most obviously, is the use of the
Socratic method; Socrates uses questions – and perhaps some baiting – to draw
his eponymous interlocutor into a deeper examination of the topic at hand.
Always coming back to the notion that he knows nothing useful, Socrates freely
compliments the alleged wisdom of his dialectical partner, then questions his conclusions
in ways that cause him to revise his views, to the point that he eventually becomes
dispirited and unwilling to continue to be so closely examined. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The juxtaposition of Socrates’s legal troubles with
Euthyphro’s reasons for being at court early in the dialogue lead directly to
the question of piety. Ironically, Socrates, concerned with piety perhaps more
than anything else, is accused of being impious, while Euthyphro, ready and
willing to commit the impious act of prosecuting his father, claims to know –
more than the majority of men – what is pious.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Importantly, Socrates questions Euthyphro’s justifications
for his action early in the dialogue, when he asks, “when those things [the
death of Euthyphro’s dependent] happened as you say, you have no fear of having
acted impiously in bringing your father to trial?” (4e). The event as described
by Euthyphro is that his servant killed a household slave while in a drunken
rage. Euthyphro’s father bound him and left him in a ditch while a priest could
be consulted on the proper course of action. The servant died from hunger and
exposure before an answer was received. This would not be defined as murder by
contemporary Athenians, and in fact Euthyphro’s relatives have accused him of
acting impiously, an opinion with which he disagrees (4c-e). He will go on to
compare himself to Zeus, at least in circumstance, seeing his prosecuting his
father similar to that god’s treatment of his father, Chronos (5e-6a).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In response to Euthyphro’s self-aggrandizement, we get a taste
of what I refer to as Socratic sarcasm or irony. Socrates states, “it is indeed
most important, my admirable Euthyphro, that I should become your pupil,” when
anyone who has read any of Plato’s Socratic dialogues knows full well that it is
Euthyphro who is going to receive a lesson from Socrates, not the other way
around (5a). And that lesson will be to show Euthyphro that he does not know
what he thinks he knows; that he is not as wise as he claims to be.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In response to Socrates’s questions, Euthyphro provides the
following sequence of definitions of what is pious and impious. Socrates wants
an every-and-only definition of these concepts; that is to say, he wants a
definition that applies only to piety or impiety, and to every thing or case
that is said to be pious or impious (5c-d). In response, Euthyphro provides the
first of several attempted definitions: “the pious is to do what I am doing
now, to prosecute the wrongdoer… whether the wrongdoer is your father or your
mother or anyone else; not to prosecute is impious” (5d-e). (It is later in
this same passage that he compares himself to Zeus.) To this, Socrates asks
whether there other pious actions, above and beyond prosecution of the
wrongdoer, reminding Euthyphro that he asked for the definition of the form of
piety or impiety, not of instances of them (6c-d).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Brought back on course, Euthyphro next offers that “what is
dear to the gods is pious, what is not is impious,” (7a). Simple, and adequate
on the surface, but Socrates wants to dig deeper and verify whether this
statement holds up as a universal, every-and-only definition, so he draws
Euthyphro into the dialectic. He points out that the gods are at odds with one
another, at least at times, and that there must be a cause for this enmity. That
cause does not come about in things that are measurable – i.e. those that
involve mathematics – but in things that are subjective, such as beauty or
goodness (7b-e). Socrates concludes, dragging along a Euthyphro that appears to
be losing enthusiasm for the discussion, that, since some things are loved and
hated at the same time by different gods, Euthyphro’s first definition does not
hold up to Socrates’s standards.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Euthyphro tries to salvage the moral high ground by claiming
that, on the subject of unjust murder, “no gods would differ [in opinion] from
one another, that whoever has killed unjustly should pay the penalty” (8b).
Socrates leads Euthyphro to the conclusion that people do not argue over
whether an unjust murder should be punished, but whether the murder – or any
other action – was wrong in the first place. Coming full circle to Euthyphro’s
intended prosecution of his father, Socrates puts the former’s claim to be
acting in a way similar to the gods squarely back in his face, noting that the
gods behave in a similar way in not being of one voice in matters of
subjectivity – in this case, justice – asking him directly for a, “clear sign
that all the gods definitely believe this action to be right,” (9b). Euthyphro
admits that “this is perhaps no light task, Socrates, though I could show you
very clearly,” (9b).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Of course, in the end, Euthyphro fails to justify his
actions, regardless of any attempts to define piety or its opposite, and
regardless of his claims to be able to do so. He tries, “the pious is what all
the gods love, and the opposite, what all the gods hate, is impious,” and,
later, when piety has become associated with justice, “the godly and pious is
the part of the just that is concerned with the care of the gods, while that
concerned with the care of men is the remaining part of justice,” (9e and 12e).
The former creates a circular argument – is it pious because it is loved by the
gods, or is it loved by the gods because it is pious – and so fails as a
definition; the later leads to the conclusion (whatever one might think of it)
that the gods need the care of men for betterment, also an unacceptable result.
Euthyphro’s last attempt at a definition, as he become more and more desperate
to rid himself of the Athenian gadfly, is, “I say that if a man knows how to
say and do what is pleasing to the gods at prayer and sacrifice, these are
pious actions such as preserve both private houses and public affairs of state.
The opposite of these pleasing actions are impious and overturn and destroy
everything,” (14b). Socrates sums up this – rather windy, according to Socrates
– definition as, “a knowledge of how to sacrifice and pray,” or, in other
words, how to give gifts to and beg from the gods (14c-d). After further
discussion in which Socrates questions why gods would need anything from men,
he reduces Euthyphro’s final attempt at defining the pious and impious as “a
sort of trading skill between gods and men,” (14e).</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Euthyphro, who earlier had said in frustration that “I have
no way of telling you [Socrates] what I have in mind, for whatever proposition
we put forward goes around and refuses to stay put where we establish it,” has
come full circle with his definitions, something Socrates will not let pass
unnoticed: “do you not realize that our argument has moved around and come
again to the same place?” (11g and 15b-c). By this point, Euthyphro is
obviously no longer interested in engaging with Socrates, and his answers
become more and more terse. His last words, in response to Socrates’s desire to
continue, are, “some other time, Socrates, for I am in a hurry now, and it is
time for me to go,” (15e). Unlike many of the sophistical interlocutors found
in the dialogues, Euthyphro does not merely fall silent, but quits the field.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The <i style="mso-bidi-font-style: normal;">Euthyphro</i> is a
wonderful introductory dialogue to the Platonic corpus. First, and most
pragmatically, it is short. This makes it easier to explore and digest than the
long dialogues like <i style="mso-bidi-font-style: normal;">Republic</i> or <i style="mso-bidi-font-style: normal;">Laws</i>. Carefully read, the dialogue is
full of humor and sarcasm; of course, it’s impossible to know for sure whether it
is intentional sarcasm, the result of translation, or my reading my modern
perceptions into the dialogue, an ever-present hazard to be sure. It also
contains foreshadowing of things to come – the discussion of what it means to
be pious leads directly to the <i style="mso-bidi-font-style: normal;">Apology</i>
in which Socrates is accused of – among other things – impiety. Although <i style="mso-bidi-font-style: normal;">Euthyphro</i> ends up being aporetic – piety
does not get adequately defined in its pages, something Socrates bemoans in the
dialogue’s last lines – but is valuable in that it establishes what piety is
not. And what it is not is exactly what the Athenians who condemn Socrates
think it is, making them even less wise than the egotistical and impious
Euthyphro.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Cheers!</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
- Rodney</div>
Rodneyhttp://www.blogger.com/profile/05652885903288133830noreply@blogger.com0tag:blogger.com,1999:blog-7282063514168871692.post-81657099449650240742013-05-29T09:04:00.000-07:002013-06-04T10:41:52.875-07:00Approaching the Platonic Corpus<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal">
<span style="font-size: large;">After a stressful but rewarding semester, I have decided to
switch gears for the summer and do something I have wanted to do for a few
years now: read the entire Platonic corpus. I’ve read – in whole or in part –
many of the dialogues in the past, but now want to go through the lot. The
purpose of this blog is to record my thoughts on each. It will have the added
benefit of getting me back up to speed for next semester’s Greek Philosophy
course. I spent some time with the Eleatics and early atomists last semester,
and hope to start into Aristotle before the summer break is over.</span><br />
<br />
<span style="font-size: large;">The title, “A Dialogue a Day,” is not a literal promise, but
instead just a catchy phrase that looks good as a header; it reads better than
“A Few Dialogues a Week,” or, "A Dialogue Whenever I Find hte Time and Inclination," anyway. I am reading the dialogues in the order
presented in my chosen translation (see below), which has opted to follow the
order set down by Thrasyllus in the first century CE.<sup>1</sup> </span></div>
<div class="MsoNormal">
<br />
<span style="font-size: large;">I will be reading the dialogues in English, referring to the
Greek text (which I have only a small skill in translating) when I feel
intrigued enough by a turn of phrase or word choice to see what the original
text has to say. For the English text, I will be relying on <i>Plato: Complete Works</i>, edited by John M.
Cooper and published in 1997 by Hackett Publishing Company. I might turn to
other translations from time to time, and will note when I do so (and add them
to the list of links to the right). For any Greek texts accessed in the
process, I will likely use the Loeb editions, or turn the wonderful Perseus Digital
Library – truly one of the most awesome resources on the internet.</span></div>
<div class="MsoNormal">
<br />
<span style="font-size: large;">I will try not to rely on any other commentator's interpretations as I proceed, hoping to come to my own conclusions. Of course, I cannot separate myself from the past, and I'm sure the opinions of others will find their way in; I shall do my best to note when that is the case, in an effort to remain academically honest. This will most likely crop up on the dialogues I have already studied in some depth - <i>Symposium</i>, <i>Phaedo</i>, and, of course, <i>Republic</i>.</span><br />
<br />
<span style="font-size: large;">This work is not teleological in that I am not setting out
to prove anything one way or the other about Plato, Socrates, or the dialogues.
The end result will likely look something like half a dialectic – a “dialogue”
by one, if you will – as I think out loud. The intent is to benefit my own
understanding. If anyone else can take something useful from it, all the
better.</span><br />
<br />
<span style="font-size: large;">First up, <i>Euthyphro</i>.</span><br />
<br />
<span style="font-size: large;">Cheers!</span><br />
<br />
<span style="font-size: large;">- Rodney</span></div>
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<span style="font-size: 10.0pt; mso-bidi-font-size: 12.0pt;">1
Plato, <i style="mso-bidi-font-style: normal;">Plato: Complete Works</i>, ed.
John M. Cooper (Indianapolis: Hackett Publishing Company, 1997), viii-ix. Cooper’s
discussion of the Platonic canon, how it can be ordered, and why he chose to go
with Thrasyllus’s ordering is a worthwhile read by anyone interested in the
dialogues as a body of literature.</span></div>
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Rodneyhttp://www.blogger.com/profile/05652885903288133830noreply@blogger.com0